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Tag: Copyright Act 1957

  • Copyright Registration in Kolkata

    Kolkata has long been regarded as the cultural and intellectual capital of India. Known for its rich heritage in literature, music, art, cinema, and theatre, the city continues to inspire creators across generations. Alongside its artistic legacy, Kolkata is also witnessing rapid growth in industries such as media, publishing, software development, advertising, and digital content creation.

    In today’s content-driven economy, original work holds immense value. Whether you are a writer, designer, musician, filmmaker, or entrepreneur, protecting your creative output is essential. This is where copyright registration becomes crucial. It not only safeguards your work from unauthorized use but also establishes your ownership legally.

    This article provides a comprehensive overview of copyright registration in Kolkata, including its meaning, importance, benefits, process, eligibility, and required documents.

    What is Copyright?

    Copyright is a legal right that protects original creative works from being copied, reproduced, or distributed without permission. It applies to a wide range of creations, including:

    • Literary works (books, articles, blogs)
    • Artistic works (paintings, graphics, logos)
    • Musical compositions
    • Cinematographic films
    • Sound recordings
    • Software and digital content

    In India, copyright is governed by the Copyright Act, 1957. Unlike trademarks, copyright protection exists automatically once a work is created and fixed in a tangible form. However, registering your copyright provides stronger legal evidence and added protection in case of disputes.

    Why Copyright Registration Is Important In Kolkata

    With Kolkata’s thriving creative and business ecosystem, copyright registration plays a vital role in protecting intellectual property. Here’s why it matters:

    1. Legal Proof of Ownership: Registration serves as official evidence that you are the original creator of the work. This becomes crucial during legal disputes.
    2. Protection Against Unauthorized Use: It prevents others from copying, distributing, or modifying your work without permission.
    3. Right to Take Legal Action: If someone infringes your copyright, you can file a lawsuit and claim damages.
    4. Builds Credibility and Professional Value: Registered work enhances your reputation and establishes trust among clients and audiences.
    5. Commercial and Licensing Opportunities: You can license or sell your work, creating additional income streams.

    Who Can Apply For Copyright Registration?

    Copyright registration in Kolkata is open to a wide range of applicants. You do not need to be a large organization to protect your work. Eligible applicants include:

    • Individual creators (authors, artists, musicians, developers)
    • Joint authors or co–creators
    • Companies and startups
    • Publishers and producers
    • NGOs and institutions

    Even foreign nationals can apply for copyright registration in India for works created or published within the country.

    Types Of Works Eligible For Copyright

    Copyright protection covers various categories of creative work, including:

    • Literary Works: Books, blogs, scripts, software code
    • Artistic Works: Logos, paintings, designs, illustrations
    • Musical Works: Compositions and soundtracks
    • Dramatic Works: Plays, scripts, choreography
    • Cinematographic Films: Movies, videos, digital content
    • Sound Recordings: Audio recordings, podcasts

    Each category has its own application requirements, so it is important to identify the correct type while applying.

    Step-By-Step Process Of Copyright Registration

    The copyright registration process in India is conducted online and involves several stages. Understanding each step can help you avoid delays.

    Step 1: Filing the Application– The process begins by submitting an application through the official copyright portal. The application must include details such as:

    • Applicant’s name and address
    • Nature of the work
    • Title of the work
    • Date of creation and publication (if applicable)

    Each work requires a separate application.

    Step 2: Payment of Fees – After submitting the application, the prescribed government fee must be paid. The fee varies depending on the type of work being registered.

    Step 3: Diary Number Issuance – Once the application is successfully filed, a diary number is generated. This number is used to track the status of your application.

    Step 4: Waiting Period (30 Days) – A mandatory waiting period of 30 days is provided to allow for objections. During this time, any third party can raise concerns regarding your claim.

    Step 5: Examination of Application – If no objections are raised, the application is examined by the Copyright Office. In case of discrepancies or objections, clarification or additional documents may be required.

    Step 6: Registration and Certificate Issuance – If the application is approved, the copyright is registered, and a certificate is issued. This certificate serves as legal proof of ownership.

    Documents Required For Copyright Registration

    To ensure a smooth registration process, you need to submit certain documents. These generally include:

    • Applicant’s name, address, and contact details
    • Copies of the original work
    • Proof of identity (Aadhaar, Passport, etc.)
    • Details of publication (if published)
    • No Objection Certificate (NOC), if applicable
    • Power of Attorney (if filed through an agent)

    Proper documentation helps avoid delays and ensures faster approval.

    Duration Of Copyright Protection

    Copyright protection lasts for a significant period, depending on the type of work:

    • For literary, artistic, musical, and dramatic works: Lifetime of the author + 60 years
    • For films and sound recordings: 60 years from the date of publication

    This long duration ensures that creators and their families benefit from the work for generations.

    Common Challenges in Copyright Registration

    Although the process is relatively straightforward, applicants may face certain challenges:

    • Incorrect classification of the work
    • Incomplete or inaccurate application details
    • Lack of proper documentation
    • Objections from third parties

    Addressing these issues early can improve the chances of successful registration.

    Conclusion

    Kolkata continues to be a city where creativity thrives, whether through literature, art, music, or digital innovation. As the value of original content grows, so does the need to protect it.

    Copyright registration is not just a legal safeguard; it is a strategic step toward securing your creative identity. It empowers you to control how your work is used, ensures recognition for your efforts, and opens doors to commercial opportunities.

    By understanding the process, preparing the required documents, and ensuring accuracy in your application, creators and businesses in Kolkata can effectively protect their intellectual property.

    In a city that celebrates creativity and expression, securing your copyright is a practical and forward-thinking investment in your future.

    FAQs

    1. What is copyright?
      Copyright is a legal right that protects original creative works from unauthorized use or copying.
    2. Which law governs copyright in India?
      Copyright is governed by the Copyright Act, 1957.
    3. Is copyright registration mandatory?
      No, it is not mandatory, but registration provides strong legal proof of ownership.
    4. Who can apply for copyright registration?
      Individuals, companies, creators, and organizations can all apply.
    5. What types of works can be copyrighted?
      Literary, artistic, musical, dramatic works, films, sound recordings, and software.
    6. How long does copyright protection last?
      Usually for the creator’s lifetime plus 60 years.
    7. What is a diary number in copyright registration?
      It is a unique number issued after application submission to track the status.
    8. Can someone object to my copyright application?
      Yes, objections can be raised within 30 days of filing.
    9. What documents are required for copyright registration?
      Identity proof, copies of the work, application details, and supporting documents.
    10. What are the benefits of copyright registration?
      It provides legal protection, proof of ownership, and allows you to take action against infringement.

  • Shaping The Future of IP Law in India: A Review of Significant Judgement of 2025

    1. Phonetic Similarity

    Pepsico, Inc. v. Jagdamba Foods Pvt.Ltd.IPDATM/210/2023 (popularly known as Lay’s vs Jay’s case)

    PepsiCo Inc., formed in 1965 through the merger of Frito-Lay Inc. and the Pepsi-Cola Company, traces the Lay’s brand to Herman W. Lay’s potato chip business, begun in 1938. In the context of Indian IP Law, Lay’s has been used continuously for over 75 years and has been registered in India since 31 July 1992, acquiring substantial goodwill and recognition as a well-known trademark.

    PepsiCo challenged the respondent’s mark “Jay’s”, alleging bad-faith adoption and deceptive phonetic similarity to “Lay’s”, used for identical goods and likely to cause consumer confusion while unfairly exploiting Lay’s reputation.

    The petition was filed under Sections 47, 57, 9(2)(a), and 11 of the Trade Marks Act, 1999, and relied on precedents such as Dabur India Ltd. v. Usha (2024) and K.R. Chinna Krishna Chettiar v. Shri Ambal& Co. (1969), emphasizing prior user rights and phonetic similarity.

    The Calcutta High Court, led by Justice Ravi Krishan Kapur, allowed the petition and ordered cancellation of the “Jay’s” trademark, holding it to be deceptively and phonetically similar to the well-known Lay’s mark and adopted with mala fide intent to capitalize on PepsiCo’s goodwill.

    2. Visual Similarity

    Lifestyle Equities CV &Anr. v. Amazon Technologies, RFA(OS)(COMM) 11/2025 & APPL. 26455/2025

    The Delhi High Court imposed a fine of ₹339.25 crore on Amazon and its affiliates for trademark and copyright infringement involving the Beverly Hills Polo Club (BHPC) logo. The Court found that Amazon, through its private label “Symbol”, sold clothing featuring a horse logo that closely resembled the BHPC emblem, creating the impression that consumers were purchasing authentic BHPC products at lower prices.

    The plaintiffs, Lifestyle Equities C.V. (LECV) and Lifestyle Licensing B.V. (LLBV), owners and licensees of the BHPC trademark, alleged that Amazon Technologies Inc., Cloudtail India Pvt. Ltd., and Amazon Seller Services Pvt. Ltd. had used their registered mark without authorization, causing consumer confusion, dilution of the brand’s goodwill, and financial loss.

    The Court observed that Amazon exercised significant control over Cloudtail’s branding and sales, making it accountable for the infringement. The company’s failure to contest the proceedings was interpreted as an acknowledgment of liability. Highlighting the difficulties of enforcing IP rights against e-commerce intermediaries, the Court held the defendants liable under Section 135 of the Trade Marks Act, 1999.

    The Court awarded the plaintiffs a total of ₹339,25,97,966.60, covering damages for lost sales, royalties, and legal expenses, and disposed of all pending applications. This ruling sends a clear message that e-commerce platforms must adhere strictly to intellectual property laws.

    For businesses navigating complex IP issues, service providers like TMWala can be invaluable. TMWala assists companies in securing trademark registrations, monitoring potential infringements, and enforcing IP rights effectively, ensuring that brands are protected from unauthorized use on e-commerce platforms and beyond.

    3. Registration of Smell Trademark

    Sumitomo Rubber Industries Ltd. NO. TMR/DEL/SCH/2025/16

    In a landmark decision for non-traditional trademarks in India, the Trade Marks Registry accepted Sumitomo Rubber Industries Ltd. (a Japanese company)’s application to register an olfactory (smell) mark for tyres. The mark, described as “floral fragrance/smell reminiscent of roses as applied to tyres” (Application No. 5860303, Class 12), has been accepted and advertised in Trade Marks Journal No. 2236 (Nov 2024–2025).

    Filed on 23 March 2023, the application initially faced objections under Section 9(1)(a) (lack of distinctiveness) and Section 2(1)(zb) (absence of graphical representation). To address these, the applicant relied on prior UK registration, decades of commercial use since 1995, international precedents, and a novel scientific graphical representation, a seven-dimensional vector of the scent prepared by a researcher at IIIT Allahabad.

    On 21 November 2025, the Controller General accepted the mark as an olfactory trademark, finding that the scientific representation met the statutory criteria of being clear, precise, self-contained, intelligible, durable, and objective, and directed its advertisement under Section 20 of the Trade Marks Act, 1999. The Registry also noted that a rose scent is arbitrary to tyres and capable of distinguishing the applicant’s products in the market.

    This ruling represents a major advancement in Indian trademark law, recognizing scientifically validated graphical representations as a valid method for protecting non-conventional sensory marks.

    4. Well-Known Mark

    Hermès International &Anr. v. Macky Lifestyle Private Limited &Anr. CS(COMM) 716/2021

    On 24 November 2025, the Delhi High Court delivered a landmark ruling enhancing protection for luxury brands and non-traditional trademarks in India. The Court recognized the three-dimensional shape of the Birkin bag, the “Hermès” word mark, and its stylized logos as well-known trademarks under the Trade Marks Act, 1999, bringing Indian jurisprudence closer to global intellectual property standards.

    Hermès, the French luxury house established in 1837, alleged that the defendants had unauthorizedly manufactured, advertised, and sold products deceptively similar to the iconic Birkin bag, constituting trademark infringement, passing off, dilution, and misappropriation of goodwill. During proceedings, the defendants admitted that they had not manufactured or sold any infringing products, earned no revenue, and that the images shown were only downloaded from the internet. The plaintiffs accepted these statements, resulting in the grant of injunctions.

    Hermès also sought recognition of its marks as well-known trademarks. After reviewing decades of consistent global use, promotion, enforcement history, and cross-border reputation, the Court concluded that the Hermès marks enjoy widespread recognition extending beyond territorial boundaries. Accordingly, it declared the Birkin bag’s shape, the Hermès word mark, and associated logos as well-known trademarks under Section 2(1)(zg).

    This judgment has far-reaching implications, reinforcing protection for product shape marks, acknowledging global brand reputation even with limited local sales, and deterring misuse of luxury branding at any stage. It also strengthens India’s commitment to enforcing international IP rights.

    For businesses, service providers like TMWala play a crucial role in safeguarding brand assets. They assist in obtaining well-known trademark status, monitoring unauthorized use, enforcing IP rights, and ensuring that both traditional and non-traditional trademarks, including three-dimensional shapes and stylized logos, are fully protected in India and globally.

    | Read the whole article regarding Hermès, marked as the well-known trademark

    5. AI vs Copyright

    ANI Media Pvt Ltd Vs Open Ai Inc & Anr CS(COMM) 1028/2024

    In November 2024, Asian News International (ANI) filed a copyright infringement suit against OpenAI in the Delhi High Court, alleging that ChatGPT reproduced or closely mirrored ANI’s news articles without permission. ANI claimed its content was used to train the AI model for commercial purposes and that ChatGPT’s outputs lacked the creativity required to be considered original under Indian copyright law. OpenAI denied infringement, arguing that the training process is statistical, non-expressive, and that any similarity is coincidental. OpenAI also challenged the jurisdiction of Indian courts, citing no physical presence in India.

    The case raises important questions about AI and copyright, including whether copyrighted material can be used to train large language models, whether AI-generated content can be considered original, and whether Indian courts can assert jurisdiction over foreign AI companies. ANI relied on Sections 13, 14, 51, and 52 of the Copyright Act, 1957, as well as the Modak doctrine, emphasizing that the AI outputs are derivative and infringing.

    This dispute is a landmark in India, as it could shape future regulations on AI, copyright protection, and digital content.

    For businesses and content creators, TMWala can help navigate such challenges by securing copyright registrations, monitoring unauthorized use of content, and providing guidance on licensing agreements. TMWala also assists companies in understanding emerging legal risks from AI and digital technologies, ensuring compliance with Indian copyright and intellectual property laws.

    | To know more about this, explore this article: AI and Copyright: The Ani vs. OpenAI Case

    FAQs

    1. What was the outcome of the Lay’s vs Jay’s trademark case?
      The Calcutta High Court cancelled the “Jay’s” trademark, ruling it phonetically and deceptively similar to Lay’s and adopted in bad faith.
    2. Why was Amazon fined ₹339.25 crore in the BHPC case?
      Amazon and its affiliates sold clothing with a logo deceptively similar to the Beverly Hills Polo Club (BHPC) emblem, misleading consumers and infringing on trademark and copyright.
    3. How can businesses prevent e-commerce trademark infringement?
      Service providers like TMWala help secure registrations, monitor potential infringements, and enforce IP rights on online platforms.
    4. What is the significance of the Sumitomo smell trademark?
      The Trade Marks Registry accepted an olfactory mark for tyres, recognizing a scientific seven-dimensional graphical representation as a valid non-traditional trademark.
    5. What are non-traditional trademarks?           
      These include sensory marks, product shapes, colors, sounds, or other distinctive elements beyond words or logos.
    6. How did the Hermès case strengthen luxury brand protection?
      The Delhi High Court declared the Birkin bag shape, Hermès word mark, and logos as well-known trademarks, protecting them against misuse even with minimal local sales.
    7. Can foreign companies like OpenAI be sued in India for copyright infringement?
      Yes, under Section 20 of the Civil Procedure Code, if the company causes harm in India, Indian courts may assert jurisdiction.
    8. What is the legal concern in the ANI vs OpenAI case?
      It questions whether AI training on copyrighted content constitutes infringement, whether AI outputs are “original,” and whether Indian copyright law applies to AI-generated content.
    9. How does TMWala assist with AI-related copyright issues?
      TMWala helps secure copyright registrations, monitor unauthorized use, draft licensing agreements, and ensure compliance with emerging AI and IP laws.
    10. What is the overall trend in the 2025 Indian IP law?
      The year highlights stronger protection for phonetic, visual, non-traditional, well-known, and AI-related intellectual property, aligning India with global IP standards.

  • Design Rights of Copyright Artistic Work: The Supreme Court Resolves The IP Overlap

    INTRODUCTION

    The Supreme Court’s 2025 decision in Cryogas Equipment Private Limited v. Inox India Limited marks a pivotal moment in Indian intellectual property (IP) jurisprudence, addressing the longstanding tension between copyright protection for artistic works and design protection for industrial products. The case arose from a dispute over engineering drawings for cryogenic storage tanks, where Inox alleged copyright infringement by Cryogas. The core of the matter was whether these technical drawings qualified as “artistic works” under the Copyright Act, or whether they were in fact industrial designs subject to the Designs Act and thus barred from copyright protection under Section 15(2) of the Copyright Act, 1957.

    The Supreme Court laid down a two-pronged test to resolve such overlaps. In this article, we are going to under the concept and the test laid down by the Hon’ble Supreme Court. The Court’s judgment provides a critical framework to distinguish between art and applied design, offering much-needed clarity for creators, businesses, and courts dealing with products that straddle the line between creative expression and industrial application.

    BACKGROUND OF THE CASE

    The Cryogas case emerged from a dispute between two companies involved in the manufacture of cryogenic storage tanks, large, specialized containers used to transport liquefied gases at extremely low temperatures. Inox India Ltd., a leading player in this industry, accused Cryogas Equipment Pvt. Ltd. of infringing copyright in certain engineering drawings that depicted the design and layout of these cryogenic tanks.

    Inox claimed that its technical drawings covering both the external tanker design and internal parts were original artistic works protected under Section 2(c)(ii) of the Copyright Act, 1957, which defines “artistic work” to include drawings, even if they are technical in nature. It argued that Cryogas had copied or closely replicated these drawings to manufacture similar cryogenic tankers, amounting to copyright infringement.

    Cryogas and a co-defendant countered with a crucial defense under Section 15(2) of the same Act. They argued that since the drawings had been used to produce more than 50 copies of a utilitarian product (tanks), the work had crossed the threshold set by Section 15(2), and therefore no longer enjoyed copyright protection. Under this provision, if a work that qualifies as a “design” is mass-produced without registration under the Designs Act 2000, its copyright protection is automatically extinguished.

    The matter had a procedural twist as well. The trial court initially dismissed Inox’s claim, accepting Cryogas’s legal argument and rejecting the plaint under Order VII Rule 11 CPC (on the basis that the suit was barred by law). However, the High Court reversed that decision and ordered a trial on the merits. The case ultimately reached the Supreme Court, with two key legal questions:

    1. Were Inox’s engineering drawings “artistic works” entitled to copyright?
    2. Or were they, in fact, unregistered “industrial designs,” thereby excluded from copyright by Section 15(2)?

    While the Supreme Court did not decide on the infringement claim itself, it laid down a two-pronged legal test to help lower courts distinguish between artistic works and designs, and sent the case back for a full trial.

    This case sits at the intersection of art, industry, and intellectual property law, highlighting how technical creativity, when applied to mass-manufactured products, must navigate both copyright and design regimes carefully.

    KEY LEGAL PROVISIONS REFERENCED IN THE CASE

    1. Section 15(2) of the Copyright Act, 1957: This is the central provision in the case. It states that if an artistic work is capable of being registered as a design under the Designs Act, and more than 50 copies of it are made by an industrial process, the work ceases to enjoy copyright protection unless it is registered under the Designs Act. This prevents perpetual copyright monopolies over mass-produced designs.
    2. Designs Act, 2000:Though not a section-specific citation, the Designs Act provides the exclusive framework for protecting industrial designs in India. It grants limited-term protection (10 years, with an additional 5-year extension) for designs that are novel and have visual or aesthetic appeal, as opposed to purely functional utility.
    3. Section 52(1)(w) of the Copyright Act, 1957 (Not applied but discussed): This section creates an exception to copyright infringement by allowing the conversion of 2D artistic works into 3D objects for use in a functional device, provided the artistic work depicts a functional part. Though not argued by the parties in this case, its relevance lies in distinguishing copyrightable artistic works from utilitarian applications.
    4. Order VII Rule 11 of the Code of Civil Procedure (CPC), 1908:This procedural rule was invoked by Cryogas to seek rejection of Inox’s plaint on the ground that the claim was barred by law (i.e., due to Section 15(2)). The Supreme Court rejected this procedural shortcut and held that the nature of the drawings and their copyright status required a full trial.

    CONCEPT LAID DOWN IN THE CASE

    The Supreme Court in Cryogas Equipment Pvt. Ltd. v. Inox India Ltd. (2025) laid down a clear and structured legal framework to distinguish between artistic works protected under copyright law and industrial designs governed by the Designs Act, 2000. The core concept that emerged from this judgment is the “Two-Pronged Test”, developed to address the overlap between these two intellectual property regimes and to give courts a consistent method for classification.

    The Two-Pronged Test: Core of the Cryogas Concept

    The Supreme Court formulated the following test (Para 60 of the judgment):

    1. Nature of the Work (Art or Design?)
      • Question: Is the work purely an artistic work deserving copyright?
        Or is it an industrial design derived from an artistic work and used in a mass-manufactured product?
      • If the work was created for industrial application and more than 50 copies were made, Section 15(2) applies; copyright is extinguished unless design registration was obtained.
      • Focus: Original intent and use of the work.
    2. Functional Utility (Design or Too Functional?)
      • Question: Even if the work is a design, does it have any visual appeal beyond its functional use?
      • If the design is purely dictated by function, it cannot be protected under the Designs Act either.
      • This test ensures that purely utilitarian features don’t get monopolized under IP law.
      • Focus: Whether the design is aesthetically distinguishable from its utilitarian purpose.

    TMWala offers legal clarity and documentation services to help assess whether your creation is best safeguarded under copyright or design law, helping avoid costly litigation or IP loopholes.

    BROADER LEGAL AND POLICY CONCEPTS ESTABLISHED

    1. Harmonization of IP Laws: The Court emphasized reading the Copyright Act and Designs Act in harmony, ensuring that creators do not bypass the time limit of design protection to claim perpetual copyright.
    2. Prevention of IP Overreach: It reaffirmed that copyright cannot be used as a backdoor to gain perpetual protection over industrial products that should have been registered under the Designs Act.
    3. Dominant Purpose Doctrine: The Court relied on the concept of dominant purpose. If the primary purpose of the design is functionality, it may not qualify even under design law, let alone copyright.
    4. International Parallels: The judgment drew from UK, U.S., and TRIPS frameworks, especially the U.S. “conceptual separability” doctrine, which distinguishes aesthetic features from functional ones for copyright purposes.
    5. Preserving the Public Domain: By reinforcing the 50-copy rule under Section 15(2), the Court reaffirmed a crucial policy objective: ensuring that industrially applied designs eventually enter the public domain unless protected under the Designs Act.

    With growing awareness of international standards, platforms like TMWala can also assist in aligning your IP protection with global best practices, essential for businesses with cross-border ambitions.

    CONCLUSION

    The Cryogas v. Inox (2025) judgment marks a significant development in Indian intellectual property law by clearly demarcating the boundaries between copyright and industrial design protection. The Supreme Court introduced a two-pronged test to determine whether a work qualifies as an artistic work under the Copyright Act or as a design under the Designs Act, and further examined whether a design is purely functional or has aesthetic value. The ruling emphasized that once an artistic work is applied to an industrial product and more than fifty copies are made, copyright protection ceases unless the design is duly registered.

    By doing so, the Court reinforced the intent behind Section 15(2) of the Copyright Act to prevent misuse of copyright as a means to gain perpetual monopoly over commercially exploited designs. The judgment also acknowledged the importance of evaluating functional utility and visual appeal, aligning Indian jurisprudence with international standards. Ultimately, the decision ensures a balanced approach that protects genuine artistic creativity while upholding the limited-term protection intended for industrial designs, preserving both innovation and public access.

  • INTELLECTUAL PROPERTIES: IN MY DREAM HOUSE

    It’s a story of a dream home (sapano ka ghar). Although this story or the seed of this dream started from my childhood. I have been raised in a family of eight people: my mom dad and 5 siblings. We all used to live in an apartment in Deeg, a small city near Agra. Moreover, we will dive in the knowledge of this topic intellectual properties in my dream house.

    In the apartment we all used to live only has two rooms, one kitchen and one bathroom. One room is mainly used as a hall for the purpose of welcoming guests into the house. That leaves us with only one room where our whole family used to live. One of my siblings was very small; he used to sleep with Mom and Dad, and the other four siblings used to live with me in the same room where we all used to play, fight, study and do everything.

    At that moment, it’s my dream and mission to build The House of My Dream. Now after these years of wait me and my best friend has finally found The Place in our dream neighbourhood that is two big plots side by side, makes it so much easier to visit each other whenever we want.

    Soon after looking into the property, we managed to buy the plots with all the legal paperwork done by my lawyer who is also my best friend with whom I have purchased the property.

    1. THE COPYRIGHT ACT, 1957:

    As we embarked on the journey of designing our dream home, one of the most exciting yet overwhelming tasks was the blueprint of the house and also the elevation design for that, we worked closely with our architect to develop a custom blueprint and elevation, designed entirely to our vision something that reflects our personal taste.

    This blueprint, which includes the floor plan, room layout, and along with the elevation, is a result of creative and technical planning. As such, it qualifies as an “artistic work” under Section 2(c) of the Copyright Act, 1957.

    According to Indian copyright law, the moment an original work like this is created the architect or client gains automatic copyright protection. So, any unauthorised use by someone else other than the original owner would amount to copyright infringement.

    2. THE TRADEMARK ACT, 1999:

    As part of our interior planning process, we visited several tile showrooms across the city. To our surprise, we were overwhelmed by the vast range of options available in tiles differing not just in colours and patterns, but also in shape and material. Each brand showcased something unique. While some tiles were known for their strength and durability, others, though visually appearing stronger and beautiful, were relatively fragile and less reliable in terms of long-term quality.

    After comparing various samples and considering both aesthetics and durability, we decided to go with tiles manufactured by the renowned brand ‘Kajaria’. Kajaria has built a strong reputation over the years for producing high-quality, long-lasting tiles, and their tagline “The quality speaks for itself” truly aligns with our experience.

    In the process, we also came across other reputed companies like Somany Ceramics and Johnson Tiles, each of them has established a strong brand identity. A common feature among these top brands is that their logos are printed on the reverse side of every tile, and also prominently displayed on the packaging. This branding serves as a mark of authenticity and trust.

    From an Intellectual Property Rights perspective, this is a clear example of protection under the Trademarks Act, 1999. The name, logo, tagline, and even specific branding elements used by these companies are all protected trademarks. These trademarks not only help distinguish one company’s products from another’s in a competitive market but also play a vital role in maintaining the goodwill and reputation the company has earned among consumers.

    Moreover, trademarks are essential in preventing duplicating and misuse of a well-established brand. If a local manufacturer attempts to falsely use the name or similar logo of Kajaria, for instance, it will amount to trademark infringement and the legal protections under the Trademarks Act would allow Kajaria to take action to protect its brand.

    Thus, our choice of tiles was not just based on looks or price, but also on the credibility that the brand carrieswith itself, assuring us that we are investing in a product that is trusted, original, and protected under Indian IPR laws.

    After finalizing the customized blueprint and elevation of our house protected under copyright and selecting high-quality, trademarked tiles from a trusted brand like Kajaria, we moved to another vital part of the home-building journey: choosing the right fans and lighting. In terms of durability for long-term use, energy efficiency to reduce electricity bills, and of course a design that elevates the aesthetic vibe of every room.

    We explored fans and lights from several companies, but our attention was drawn to Havells, a name known for its quality, innovation, and customer satisfaction. From ceiling fans to smart LED panel lights and decorative chandeliers, every product reflected the premium quality.

    The brand name “Havells”, along with its logo, taglines, and different branding style, is protected under the Trademarks Act, 1999. This Act ensure that no other company can use the Havells brand name or similar trademarks to mislead customers, So the company’s reputation and goodwill remain legally intact. And, the consumers like us can confidently choose products, knowing they are backed by a protected brand.

    In taps and showerheads, we specifically chose fittings from Jaquar®, a brand known not just for its appearance, but for durability, water-saving technology, and customer service. The brand name and logo printed on every product, packaging box, and even on the handles themselves, is not just a mark of identity, it is a registered trademark protected under the Trademarks Act, 1999. The Act ensures protection of the name, logo, and tagline of the brand. The brand’s reputation, consumer trust, and goodwill remain protected.

    3. THE DESIGNS ACT, 2000:

    Havells is also stood out for its design innovation like for instance the ceiling fans with wooden blade, LED lights in geometric patterns, & floral designs that blend beautifully into modern interiors. These external visual features are protected under the Designs Act, 2000 as Industrial Designs. The company has exclusive rights over these designs, ensures that no one can copy the unique physical appearance of its fans or lights.

    For taps and shower the external visual features the shape, configuration, and ornamentation are protected under the Designs Act, 2000 as Industrial Designs. As the taps have curved spouts, or black finishes, or vintage gold polish. This Design protection ensures that no competitor can copy the look of these taps or showers without permission. Consumers benefit from unique and elegant designs exclusive to that brand.

    4. THE PATENTS ACT, 1970:

    The company having BLDC technology in ceiling fans that ensure silent operation, to smart enabled fans and lights that can be operated via mobile apps or voice assistants or remote these products are often patented under the Patents Act, 1970. Some patented features include motion-sensor, fans with auto-regulation of speed based on room temperature, smart mood lighting systems that change colour based on time of day. Patents protect these functional innovations, granting exclusive rights to the company to use the invention themselves, also prevent others from copying the mechanism or feature.

    As we moved further into completing the finer details of our home, it was finally time to design the bathrooms spaces where comfort and hygiene go hand in hand. We explored products from renowned sanitaryware and looked into companies like Jaquar, Kohler, Hindware, and Grohe, and we were amazed at how much innovation goes into something as simple as a tap or showerhead. We are getting amazed by each passing day like knowing that these everyday products can carry the weight of Intellectual Property protection.

    The Modern tap and shower fittings has some features like auto-closing taps to prevent water wastage. Thermostatic mixers that balance hot and cold water perfectly. Touch-free that is sensor-based systems for hygiene. These features involve technical innovation, often protected under the Patents Act, 1970.

    This Act protects exclusive rights to the inventor and company to use the technology. Legal protection against others making, selling, or using the same invention without consent.

    5. THE GEOGRAPHICAL INDICATIONS OF GOODS ACT, 1999:

    After the structure was completed, tiles chosen, lights installed, and bathrooms made functional it was finally time to add soul to the space: the furniture, art, and cultural essence that truly turns a house into a home. For this final stage, we intentionally chose traditional, artworks and handicrafts, many of which are protected under the Geographical Indications of Goods (Registration and Protection) Act, 1999.

    Like for the main hall, we selected exquisite Mysore Traditional Paintings known for their rich colours, gold foil detailing, and mythological themes. Each painting are handmade by local artisans from Karnataka, reflected elegance and heritage. These paintings are protected by a GI tag, which confirms their origin from Mysore, Karnataka. Legally ensures that only genuine artisans from that region can label their art as “Mysore Painting”.

    And for our dining area and lounge, we chose Sankheda furniture from Gujarat beautifully built wooden chairs and tables with vibrant, hand-painted patterns and bold colours. Made using old techniques passed through generations, these pieces added traditional charm and vibrancy to our space.

    This furniture are protected under Geographical Indications, ensures the exclusive right of Sankheda artisans from the region of Gujarat to use the name.Legal protection against the mass manufacturers who are it is wrongly and falsely.

    Conclusion

    Building a home is not just about bricks it is about creativity, innovation, tradition, and that small personal touch of ours. Through every step of our journey from choosing branded tiles, to selecting GI-tagged artworks and customized blueprints we discovered how deeply Intellectual Property Rights are woven into the very fabric of our daily lives. This all about Intellectual properties in my dream house.

    This experience has not only given us a home filled with beauty and meaning but also a deeper appreciation for the laws that protect originality, craftsmanship, and innovation.

    Truly, understanding IPR has turned our dream home into a space where ideas are valued, and creators are respected.

    Author

    Nimisha Singh Kushwah, 3rd B.A.LLB, Institute of Law, Jiwaji University, Gwalior

  • Copyright Registration Simplified: Safeguard Your Creative Works

    Copyright Registration Simplified: Safeguard Your Creative Works

    Copyright protection is essential for safeguarding original works of authorship or creators such as art, music, literary works, films etc. In India, copyright law is governed by the Copyright Act, 1957, which provides creators with the exclusive rights to use, reproduce and distribute its original works. This article will delve into the copyright registration process in India, its benefits, legal requirements and other key aspects that every creator must know to ensure adequate protection of their creative works. 

    What is copyright?

    Copyright is a legal right granting protection to creators over their original creative works such as literary, musical, artistic, dramatic, cinematographic, photographs, architectural designs etc.. It gives creators exclusive rights to use, reproduce, distribute, adapt, translate, perform, licence, assign and commercialization their works. Copyright prevents unauthorized use of works i.e., nobody can use a copyright work without creator’s permission, in turn providing creators with financial and moral protection for its original works of authorship. Copyright generally exists for the life of the author + 60 years except from cinematography works, sound recordings and photographs for which copyright subsists for 60 years from the date of publication.

    Works Eligible for Copyright Protection

    Copyright protection extends to the following categories of works:

    • Literary Works: Books, manuscripts, articles, blogs, computer programs & software, databases etc.
    • Musical Works: Musical scores, compositions, sound recordings etc.
    • Artistic Works: Paintings, sculptures, drawings, designs, architecture, photographs etc.
    • Cinematographic Films: Movies, videos and other audio visual works.
    • Dramatic Works: Plays, scripts, choreography etc.
    • Sound Recordings: Audio recordings, including music albums, podcasts etc.

    Essential Features of Copyright

    For a work to be copyrightable, it must possess the following essential features:

    Original Work: The work created, should be original, novel and unique. It should be the result of author’s creativity, skill, labour or judgement.

    Tangible form of Expression: Copyright lies in the expression of the idea and not the idea itself, thus, the work should be in a material presentable form. For Ex: Written Text, Recorded Music or Painted canvas.

    Key Benefits of Copyright Registration

    While copyright protection is automatic and exists in any work as soon as it is created, copyright registration offers several additional benefits, such as:

    Public Record: Registration acts a public record of ownership which is extremely helpful in case of legal disputes or unauthorised use.

    Prima Facie Evidence: In case of infringement, the registration certificate serves as prima facie evidence of ownership before the court of law.

    Legal Protection: Registration provides owners with the legal right to instate legal proceedings against unauthorised use.

    Commercialization Rights: Copyright registration gives the owner the right to exclusive use, adapt and distribute its work. The copyright holder can also monetize the work by licensing, assigning or selling it to third parties.

    Moral Rights: Creators get to retain moral rights over their works, even after assigning economic rights to third parties thereby ensuring recognition and protection against unauthorized modifications.

    Copyright Registration Process in India

    Copyright Registration Process in India is extremely simple and can be completed online by following the hereinunder mentioned steps:

    Step 1: Preparation of the Work for Submission and other Documents

    Before filing for copyright registration, ensure that the work you want to register is original and in a tangible form. Whether it’s a book, artwork, music, or software, the work must be in a format that can be submitted along with the application. Further, prepare other requisite documents such as No-Objection Certificate, Power of Attorney etc.

    Step 2: Filing of the Copyright Application

    You can file the copyright application online through the Copyright Office’s e-filing portal https://copyright.gov.inor submit it physically to the Copyright Office. The application must be filed in Form XIV and should include the following details:

    • Personal Information of the Applicant: Name, address, and nationality of the applicant.
    • Type of Work: The category of work being registered (literary, artistic, musical, etc.).
    • Title and Description: Title of the work and a brief description of its content
    • Language: The language of the work (if applicable)
    • Date of Creation: The date on which the work was first created or published
    • Author’s Information: Details about the author or creator of the work.
    • Owner’s Information: Details about the person in whom ownership rights of the work vests.
    • The application fee varies based on the type of work being applied for (literary, artistic, musical, etc.). The fee can be paid online or via a demand draft.

    Step 3: Uploading Documents

    Once the copyright application is filed, a unique diary number a is generated for your copyright application, which can be used for tracking the status of application. After this, the requisite documents have to be submitted. This can be done through the copyright registry’s online portal or the same can be sent to the Copyright Registry physically. The documents which need to be uploaded include: Form XIV (Copyright Application), Acknowledgement Receipt of Payment, Copy of the Work, No-Objection Certificate, Board Resolution/Partnership authorisation as applicable, Power of Attorney, TM-C (if applicable) etc.

    Step 4: Publication in the Copyright Journal

    After this, the application is published in the Copyright Journal for 30 days where the Copyright Registry invites the public to file objection against the copyright application. If an objection is raised, a notice is sent to both parties (the applicant and the objector). If the grounds of the objection are found sustainable, the copyright application is refused. If the grounds of the objection are not found satisfactory, the application is proceeded for examination.

    Step 5: Examination of the Application

    After this, application undergoes scrutiny by the copyright examiner who checks for any discrepancies or fallacies in the application. If discrepancies are found, the examiner issues a discrepancy letter, reply to which has to be filed within 1 month from the date of issuance. If the discrepancy is resolved, the application proceeds for registration, otherwise, matter is referred to hearing.

    Step 5: Issuance of the Copyright Registration Certificate

    After all this, the Copyright Office issues the Copyright Registration Certificate. This certificate is an official recognition of registration of the copyright in the applicant’s name, granting them legal rights over the work.

    Conclusion

    Copyright Registration is imperative for creators who are looking to protect their intellectual property. It provides legal rights, exclusive ownership and financial benefits ensuring that the creator has control their work and its use. The registration process is relatively straightforward and the benefits far outweigh the effort involved in securing copyright protection.

    If you need assistance in filing your copyright, you can contact TMWala, today!

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